And I think that's ultimately a great weapon. And it's not just a pleasurable feeling that comes back, it's the complete terror and loss of control that comes back. It says that, at any point in somebody's life, when they loved somebody strongly enough and that person returns, a certain touch, a certain physical gesture can turn them from being defiant and disgusted with this person to being subservient again. It's about obsession, and that can be scary because you're not in control and you don't know where it's going to stop. In another interview, Steinman expands on his comments about the song being about the 'dark side of love'. I just tried to put everything I could into it, and I'm real proud of it.
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It was about the dark side of love about the ability to be resurrected by it. I was trying to write a song about being enslaved and obsessed by love, not just enchanted and happy with it. I was trying to write a song about dead things coming to life. I think you can't get much more operatic or passionate than that. The scene they always cut out is the scene when Heathcliff digs up Catherine's body and dances in the moonlight and on the beach with it. This isn't the Wuthering Heights of Kate Bush-that little fanciful Wuthering Heights. Is always made much too polite it always has been in movies. In the Jim Steinman Opens Pandora's Box promotional video, he says that the novel: Influenced by Emily Brontë's novel Wuthering Heights, Steinman compared the song to 'Heathcliff digging up Cathy's corpse and dancing with it in the cold moonlight'.
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Problems playing these files? See media help. This clip features the beginning of the final chorus, displaying Raven's harmonies. This is particularly evident when the dead characters seem to be resurrected in the memories of the main vocalist-although in the case of Celine Dion's video, the theme is less about the living being doomed and more about a lost love. 2 in Scotland.Ī music video was produced for each of the three versions death is a recurring theme in all of these videos, fitting in with the suggestion in Virgin Records' press release for Original Sin that "in Steinman's songs, the dead come to life and the living are doomed to die". Meat Loaf eventually recorded it as a duet with Norwegian singer Marion Raven for Bat III and released it as a single in 2006. Billboard Hot 100 (behind Los del Río's " Macarena" and Blackstreet's " No Diggity") and No. It was then recorded by Celine Dion for her album Falling into You, and her version was a commercial hit, reaching No. The first version appeared on the concept album Original Sin, recorded by Pandora's Box. Alternately, Meat Loaf has said the song was intended for Bat Out of Hell II and given to the singer in 1986, but that they both decided to use " I'd Do Anything for Love (But I Won't Do That)" for Bat II, and save this song for Bat III. Girl group Pandora's Box went on to record it and it was subsequently made famous through a cover by Celine Dion, which upset Meat Loaf because he was going to use it for a planned album with the working title Bat Out of Hell III.
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Steinman won a court movement preventing Meat Loaf from recording it. Meat Loaf had wanted to record the song for years, but Steinman saw it as a "woman's song".
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The Sunday Times posits that "Steinman protects his songs as if they were his children". According to Steinman, the song was inspired by Wuthering Heights, and was an attempt to write "the most passionate, romantic song" he could ever create. " It's All Coming Back to Me Now" is a power ballad written by Jim Steinman. For the David Crosby album, see It's All Coming Back to Me Now.